Tag Archives: Kim Cozort
The emotional histrionics and pyrotechnic acting in the first act notwithstanding, it’s the quiet poignant moments of compassion and connection in the second act that are the most deeply affecting in Palm Beach Dramaworks’ skillful resurrection of Tennessee Williams’ The Night of the Iguana.
The Night of the Iguana is the “other” Tennessee Williams play, the one most theatergoers have heard of, maybe even seen the Richard Burton-John Huston film, but likely have never gotten around to seeing on stage. Palm Beach Dramaworks is providing an opportunity to fill that gap on their patrons’ cultural checklist when it opens its 17th season this month.
Plenty of laughter greets every witticism and absurdity in Palm Beach Dramaworks’ production of Dividing The Estate, Horton Foote’s acidic depiction of greed, jealousy and family. But through the laughter, you either silently thank God you don’t know these people or you curse fate that they are way too familiar.
Arts Garage staged It’s A Wonderful Life as part of its Radio Theatre series, which kicked off in August with the radio play adaptation of A Star Is Born. Eight actors, plus two sound effects “actors” performed the play for one day only — a shame really that such a worthwhile production only had a matinee and evening performance. But others are on the calendar.
Arts Radio Network kicked off its series of live radio play versions of iconic movies with a one-night production of A Star Is Born on Aug. 15 on the stage of the host, The Theatre at Arts Garage in Delray Beach. To hear a podcast of that full production, click here
Director Michael Leeds and a solid cast at the Plaza Theatre in Manalapan have mastered Neil Simon’s challenging meld of witty comedy and throat-choking heartache, and make both perfectly plausible facets of life in Chapter Two.
Cannily, there is not a feather in sight during the entire 85-minute The Birds at the Mosaic Theatre — appropriate because the subject is not an eerie avian apocalypse, but how humanity reacts under extreme pressure. Conor McPherson’s adaptation is far more a sociological morality tale than Daphne du Maurier’s 1952 suspenseful novelette or Alfred Hitchcock’s 1963 pure thriller.
Art as an ennobling sanctification for both the artist and the observer whose interpretation completes the symbiotic circle is just one of a dozen themes swirling around Palm Beach Dramaworks’ stimulating production of The Pitman Painters.Dramawork’s skilled ensemble of character actors led by director J. Barry Lewis delivers a thought-provoking, if not especially emotionally moving, evening of theater.
A look in words and photos of David Arisco trying on Edna Turnblad’s clothes in a fitting before Actors’ Playhouse’s production of Hairspray.