Author Archives: Bill Hirschman

Actress, Director Make Lukewarm Patriot Red Hot

Among the reasons to see The Women’s Theatre Project’s Red Hot Patriot are Carbonell Award-winner Barbara Bradshaw as she holds court for 68 minutes in a one-woman show about Texas journalist Molly Ivins. Secondly is to see Genie Croft’s brilliant direction. The least inviting is Margaret Engel and Allison Engel’s cobbled together script.

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Florida Grand Opera’s No Exit Ascends Hot Damn Perfection

With its ingenious, acrobatic score, and exceptional singers who could handle both the drama and the demands, FGO’s No Exit may have been a depiction of hell, but the production was hot damn perfection. The only regret was that this was a three-day run. If you must, go through heaven and hell to get to the final performance of this production tonight. It’s a once in lifetime experience.

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Christopher Demos-Brown Is Finalist For Steinberg/Theatre Critics’ Playwriting Award

Christopher Demos-Brown is among six finalists for one of the most esteemed playwriting honors in the country, the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award.
The selection was based on the script for his play Fear Up Harsh that premiered in November at Zoetic Stage.

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Dramaworks’ Season: Our Town, Les Liaisons Dangereuses, Buried Child, Zorba, Lady Day,

Palm Beach Dramaworks’s 2014-2015 season will continue its tradition of presenting classic American and British dramas and musicals, a few familiar, some rarely if ever done by professional theaters in South Florida.

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Wick’s Full Monty Isn’t Half-Bad

The Full Monty is one of those scruffy street mongrels that are undeniably cute and even inexplicably winning for short periods, but not a stray you want to take home. The Wick Theatre’s production of the musical is competent, perhaps one of the better renditions you’ve seen of it, but its not equal to the recent triumph with 42nd Street.

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Thinking Cap’s Pool (No Water) Dives In Artistic Schadenfreude

Jealousy, ego and unbridled schadenfreude that exist in any human being seem to be intensified among the rarefied spirits we call artists – at least that seems to be thrust of Mark Ravenhill’s droll little satire, Pool (No Water) enjoying a hoot of an outing thanks to Thinking Cap Theatre.

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Maltz’s Other Desert Cities Struggles In Arid First Half But Delivers Wrenching Second Act

All through the engrossing and ultimately wrenching second act of the Maltz Jupiter Theatre’s production of Other Desert Cities, one question screamed for an answer: Where were you people in the first act? The competent cast slogs through the exposition until they finally get create plausible characters in the second act.

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Rewritten And Rewritten, Schwartz/Strouse Musical Rags Gets One More At Plaza Theatre

Few Broadway shows can equal the track record of 1986’s Rags: closed after four performances, rewritten, remounted, rewritten again. There are at least 10 scripts. But something about the drama about immigrants on the Lower East Side keeps artists and audiences coming back. And now, Rags has been overhauled for a run at The Plaza Theatre in Manalapan.

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Stars Of David Is Touching, Funny Revue About Identity

Seeking “Who am I?” is the defining journey of most lives, and our religious heritage is part of the solution, even if we don’t embrace that religion or its culture. Such is the soul of Stars of David: Story To Song, a musical revue, which, despite its cripplingly kitschy title, is a surprisingly entertaining, witty and poignant look at how Jewish-Americans struggle on that journey.

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BRTG Spinoff Primal Forces To Stage Mamet’s The Anarchist

A brand-new troupe, Primal Forces, is targeting a group previously left to fend for themselves: the Boomers who came of age during the political and social tumult of the 1960s and 1970s. The company opens with David Mamet’s The Anarchist at Andrews Living Arts Studio in Fort Lauderdale

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