Monthly Archives: March 2012

Zoetic & McKeever’s Moscow Is Rich Comedy With a Heavy Load

Michael McKeever’s Moscow’s in its world premiere by Zoetic Stage in the Adrienne Arsht Center’s intimate Carnival Studio Theater is rich in so many ways with deep characters, dialogue that is quick and witty, and, for this production, a cast that couldn’t give more of its all. The only downside is that the mule in this Moscow is saddled with way too many burdens.

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Kravis on Bway: Catch Me If You Can, Maroulis in Jekyll & Hyde, Priscilla, Poppins, Billy Elliot, Jersey Boys

By choosing its own schedule, the Kravis Center has several titles in its 2012-2013 slate of musicals on national tours that you won’t see at the Broward Center or the Arsht Center as the sole regional venue offering the musicals Catch Me If You Can,and a revival of Frank Wildhorn’s Jekyll & Hyde starring Constantine Maroulis. In addition to the new Priscilla Queen of the Desert, more familiar offerings are returns to South Florida of Mary Poppins, Jersey Boys and Billy Elliot

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Talkin’ in the Green Room With: Stuart Meltzer

In this edition, we visit with Stuart Meltzer who is currently fine-tuning the world premiere production of Michael McKeever’s Moscow which opens Friday at the Arsht Center. Meltzer is both artistic director and one of four artists who co-founded Zoetic Stage in 2010.

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Broadway Across Miami: Priscilla, Memphis, Poppins, Les Miz, Fela, Stomp & Rock of Ages

There’s a distinctly younger, even hipper bent to the offerings for the Broadway Across America 2012-2013 season announced for the Adrienne Arsht Center — plus some old, old reliables. The line-up of only musicals on national tours encompasses Priscilla Queen of the Desert, Memphis, Rock of Ages, Mary Poppins and the 25th anniversary production of Les Miserables for the regular subscription plus added-cost extras of Fela! and Stomp.

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Jerry Visits Dolly, New Theatre Goes Cruz-ing, Playhouse To Visit Other Desert Cities

Hello Jerry You’d think he’d have seen it enough times, but Jerry Herman, the composer-lyricist of Hello, Dolly!, dropped in on last Friday’s performance of his best-known work at the Maltz Jupiter Theatre. Herman, a University of Miami grad and …

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Juan C. Sanchez’s Property Line Is Promising But Needs Work

Comedy. Tragedy. Absurdist farce. Subtle satire. Family drama. Sociological tract about race relations. Juan C. Sanchez’s world premiere Property Line at New Theatre encompasses all these and more in an intellectually intriguing, promising script that needs a lot of work before it will gel into a satisfying evening of theater.

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Arts Garage’s Woody Sez Is Affable, Moving Songbook

Of course, any musical revue of Woody Guthrie’s work must end with the anthem “This Land Is Your Land.” What the musical revue Woody Sez at Arts Garage does is put that expression of patriotism and brotherhood in a sobering context of Guthrie’s chastening life experiences.

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Producer Jay Harris Tapped For George Abbott Award

The George Abbott Award for Outstanding Achievement in the Arts, the most prestigious honor given by the Carbonell Awards, will be presented April 2 to producer Jay H. Harris.

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Sarah Kane’s Cleansed Is Violent, Surreal Offering

Like Kane’s Blasted at GableStage in 2010 and 4:48 Psychosis at Naked Stage in 2008, Cleansed defies reactions that involve verbs such as “liked” or even “appreciated.” Even more than those other two plays, this minimalist script given flesh and form by the imagination of director Nicole Stoddard is a harrowing and frankly upsetting descent into Hell jammed with random sadistic violence targeting those who dare love.

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News Briefs: Carbonell Tickets, Dramaworks’ Summer Show, Kato Gets Promotion, Short Plays Reading, Free Shows

Anyone who doubts the quality of South Florida should buy a ticket (as should everyone else who loves theater) to the 36th Annual Carbonell Awards set for 7:30 p.m. Monday, April 2 in the Amaturo Theater at Broward Center for the Performing Arts.

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