Tag Archives: Robert Schenkkan

City Theatre’s Crackling, Provocative ‘Building the Wall’ Plays a Dystopian Trump Card

City Theatre’s production of Building the Wall opens with audio of then-candidate Donald Trump spewing some of his more incendiary anti-immigration rhetoric. The first line has yet to be spoken, and already you can feel your blood pressure start to rise.

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Curtain Up On The 2017-2018 South Florida Theater Season

If you know where to look, certainly you can find reliable warhorse titles in the upcoming theater season in South Florida, but it’s easier to find vibrant, contemporary and challenging offerings.

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Regional Theaters Are The Country’s Primary Incubator of New Plays – Including SoFla

Indisputably, regional theaters have been a significant wellspring for new plays reaching back 30 years. But a quickening sea change has occurred quietly but demonstrably over the past decade: Regional theaters – once reliant on warhorses and the latest New York hit — have become the primary incubator and showcase for new work in America

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Timely ‘All The Way’ Exposes How Your Sausage Is Made

Although the Actors’ Playhouse folks are working very hard to master this Everest of a play, All The Way, about Lyndon Johnson’s campaign to pass the Civil Rights Act of 1964, this time they have barely fought the work to a standstill.

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Hirschman’s Solely Subjective Summation Of Shows That Shouldn’t Be Missed 2016-17

These are not at all necessarily what we predict will be the best shows this season (although they may be) or the best attended or the most popular or the most award-winning. We don’t care. These are the shows we most want to see for a variety of reasons. The list is woefully incomplete, likely with major but unintentional omissions.

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Report From New York: A Heroic And Flawed Lyndon Johnson Wields Power In “All The Way”

Robert Schenkkan’s Tony-nominated play All The Way is blessed with a fascinating portrait by Tony-nominated Bryan Cranston as LBJ, but it’s his script’s premise that makes the evening stay with the audience days later. It contemplates that the need for pragmatic sacrifices, even for the most noble of goals, can corrupt the soul.

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