Author Archives: Bill Hirschman

GableStage’s It’s Only A Play Skewers And Honors The Craziness Of Theater Folks

GableStage has produced a version Terrrence McNally’s satire about theater, It’s Only A Play, that is funnier and has far more heart than the Broadway edition.

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FGO’s Rarely Seen Norma Is Powerful Triumph For Two Divas

Florida Grand Opera’s infrequently mounted Norma, a marathon challenge for sopranos, is a superbly executed triumph that melds technical mastery and gut-wrenching emotion.

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Glorious Voices Outweigh Unsubtle Script In ‘The Journey’

The scruffy damaged denizens of New Orleans’ underclass depicted in the musical The Journey: The Story of Your Life really only have one dimension and the subtlety of a freight train, but, good God, the power that this cast and creative team from Outré Theatre Company invest in that one dimension is overwhelming.

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Chicken Coop’s Taking Sides Looks At Responsibility Of Artists In Nazi Germany

Ronald Harwood’s script and Chicken Coop Theatre’s production of Taking Sides supposedly even-handed look at art and politics isn’t very subtle for most of the play, but it does have two solid performances and one crippling one.

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Island City Stage’s ‘Joan Crawford’ Cranks Up The Camp

Island City Stage gives the first full performance of Michael Leeds’ Who Killed Joan Crawford, a comedy mystery about male friends invited to a birthday party dressed as Crawford characters.
Break out the martinis. It isn’t perfect, but it’s still a helluva lot of fun

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Dinelaris-Estefan Reading At Barry; New FAU Pro Show Sked; Dramaworks Gains Anderman; City Theatre Pubs Book

News items about Palm Beach Dramaworks, Barry University, City Theatre, FAU’s Theatre Project

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Haunting Jewish-Cuban ‘The Golem Of Havana’ Explores Cross Cultural Tragedies

Miami New Drama’s musical The Golem of Havana melds warm comedy and profound tragedy in an intriguing, sometimes moving, often thought-provoking evening. It encompasses the Holocaust, the Castro revolution, a hymn to a Yoruban deity, and Old World klezmer music pivoting instantly into a hot salsa celebration.

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Area Stage’s The Nether: Moral Implications Of Living Forever In An Internet Fantasy World

Area Stage Company delivers an unsettling, thought-provoking evening with its musings on the implication of an unbridled Internet of the future in The Nether.

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What Happens When You Get What You Asked For: Zoetic Stage’s Rapture, Blister, Burn

Gina Gionfriddo’s Rapture, Blister, Burn is rooted in an wry examination of post-feminism. But Zoetic Stage’s finely wrought comedy-drama goes much farther and deeper in examining the complex interrelationship of dreams, choices, responsibilities and consequences applicable to human beings of all sexes.

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Joyful Matt Loehr Leads A Winning “Will Rogers Follies”

The Maltz Jupiter Theatre’s pull-out-the-stops revival is about as lush and entertaining a rendition as anyone could hope for and benefits immeasurably from Matt Loehr in the title role.

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