Author Archives: Bill Hirschman

Carb Clips, Maltz Garb, Fundraising, Sharp Blades, Waldon Honored, Students Rewarded

Links to videos and photos from 36th Annual Carbonell Awards The sights and sounds of the Carbonells, known to the industry as theater prom, are available at these links. http://ka.uvuvideo.org/_34My-Big-Fat-Carbonell34-Carbonell-Awards-2012/video/1710237/86294.html http://www.youtube.com/watch?v=8Ey8IrJpln4 http://images.tonyschreiber.com/Events/Theatre/2012-Carbonell-Awards/22247153_jV2cMB#!i=1777150674&k=JhvMQdt http://www.youtube.com/watch?v=UYGg9GF3u28&list=UU_Uujeu3W3eXvoIwLSQC4_g&index=2&feature=plcp Thanks to Tony Schreiber, George Schiavone and …

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All Night Strut Will Transport Greatest Generation Patrons

If you think time machines are only found in science fiction, visit All Night Strut at Broward Stage Door and watch an audience of Greatest Generation grads be transported back 65 years to the marrow of their youth.

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Palm Beach Theaters Dominate Carbonell Awards

Joy and uncertainty imbued the 36th annual Carbonell Awards on Monday night, reflecting a period marked by the greatest concentration of theatrical excellence in recent memory, yet also the closure of two companies and tenuous survival of others. The juxtaposition was no more evident than the Caldwell Theatre production, Stuff, earning three awards – four days after the company revealed it had hired a receiver and was postponing its last play of the season because of cash flow problems.

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New Theatre’s Edith Can Shoot Etc. Etc. Wins New Play Citation

A play championed by New Theatre, Edith Can Shoot Things and Hit Them, received a citation this weekend in the American Theatre Critics Association ‘s new plays competition. A. Rey Pamatmat’s Edith bowed at New Theatre in Coral Gables in October as the second stop in the Rolling World Premiere Program of the National New Play Network. The theater critics association also named Yussef El Guindi’s Pilgrims Musa and Sheri in the New World, a play about immigration and assimilation, winner of the $25,000 Harold and Mimi Steinberg/ATCA New Play Award for 2012. The Steinberg/ATCA recognizes the best American scripts that premiered professionally the previous year outside New York City.

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Zoetic & McKeever’s Moscow Is Rich Comedy With a Heavy Load

Michael McKeever’s Moscow’s in its world premiere by Zoetic Stage in the Adrienne Arsht Center’s intimate Carnival Studio Theater is rich in so many ways with deep characters, dialogue that is quick and witty, and, for this production, a cast that couldn’t give more of its all. The only downside is that the mule in this Moscow is saddled with way too many burdens.

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Kravis on Bway: Catch Me If You Can, Maroulis in Jekyll & Hyde, Priscilla, Poppins, Billy Elliot, Jersey Boys

By choosing its own schedule, the Kravis Center has several titles in its 2012-2013 slate of musicals on national tours that you won’t see at the Broward Center or the Arsht Center as the sole regional venue offering the musicals Catch Me If You Can,and a revival of Frank Wildhorn’s Jekyll & Hyde starring Constantine Maroulis. In addition to the new Priscilla Queen of the Desert, more familiar offerings are returns to South Florida of Mary Poppins, Jersey Boys and Billy Elliot

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Talkin’ in the Green Room With: Stuart Meltzer

In this edition, we visit with Stuart Meltzer who is currently fine-tuning the world premiere production of Michael McKeever’s Moscow which opens Friday at the Arsht Center. Meltzer is both artistic director and one of four artists who co-founded Zoetic Stage in 2010.

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Broadway Across Miami: Priscilla, Memphis, Poppins, Les Miz, Fela, Stomp & Rock of Ages

There’s a distinctly younger, even hipper bent to the offerings for the Broadway Across America 2012-2013 season announced for the Adrienne Arsht Center — plus some old, old reliables. The line-up of only musicals on national tours encompasses Priscilla Queen of the Desert, Memphis, Rock of Ages, Mary Poppins and the 25th anniversary production of Les Miserables for the regular subscription plus added-cost extras of Fela! and Stomp.

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Jerry Visits Dolly, New Theatre Goes Cruz-ing, Playhouse To Visit Other Desert Cities

Hello Jerry You’d think he’d have seen it enough times, but Jerry Herman, the composer-lyricist of Hello, Dolly!, dropped in on last Friday’s performance of his best-known work at the Maltz Jupiter Theatre. Herman, a University of Miami grad and …

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Juan C. Sanchez’s Property Line Is Promising But Needs Work

Comedy. Tragedy. Absurdist farce. Subtle satire. Family drama. Sociological tract about race relations. Juan C. Sanchez’s world premiere Property Line at New Theatre encompasses all these and more in an intellectually intriguing, promising script that needs a lot of work before it will gel into a satisfying evening of theater.

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