Mere hours before the opening night of Equus at Palm Beach Dramaworks – a drama prompted by the true story of a troubled teen who blinded five horses – another troubled teen murdered 10 people in a nightmarish school shooting. But independent of that, its Equus stands among the most effective, perfectly executed productions that this company has wrought in its mission to deliver “theater to think about.”
Posted in Performances, Reviews
Tagged Anne-Marie Cusson, Austin Carroll, Domenic Servidio, Equus, Frank Vomero, J. Barry Lewis, John Leonard Thompson, Julie Rowe, Mallory Newbrough, Meredith Bartmon, Nicholas Lavalvo, Palm Beach Dramaworks, Peter Simon Hilton, Robert Richards Jr., Steve Carroll, Steven Maier
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Posted in Features
Tagged Actors Playhouse, Al Blackstone, Anne Mundell, Anne-Marie Cusson, Area Stage Company, Broward Stage Door, Bruce Linser, Cindy Pearce, City Theatre, Clay Cartland, Conor Walton, David Arisco, David Kwiat, Elena Maria Garcia, Elijah Word, GableStage, Greg Duffy, Gregg Weiner, Ground Up and Rising, Hannah Benitez, Island City Stage, J. Barry Lewis, Jean Josieu, Jessica E. Schulte, Jodi Dellaventura, Joseph Adler, Julie Kleiner, Karen Stephens, Kevin Black, Kevin Reilley, Kimberley Dawn Smith, Leah Sessa, Lindsay Bell, Lindsay Corey, M Ensemble, Main Street Players, Mallory Newbrough, Maltz Jupiter Theatre, Marcia Milgrom Dodge, Margaret M. Ledford, Michael Amico, Michael McClain, Michael Ursua, MNM Productions, New City Players, Nicholas Richberg, Niki Fridh, outre theatre company, Palm Beach Dramaworks, Patrick Fitzwater, Shane Tanner, Slow Burn Theatre Company, Stuart Meltzer, Theatre Lab, Thinking Cap Theatre, Vicki Lewis, Wick Theatre, Zachary Borovay, Zoetic Stage
Palm Beach Dramaworks’ production of Collected Stories is not only one of the most affective and effective dramas seen in the region for many months, it offers a superb performance by a young actress Keira Keeley molded by gifted director Paul Stancato, and one of the best performances by an experienced actress we’ve seen in a long, long time, that of Anne-Marie Cusson.