Reviews
Welcome Back, Come From Away
It seems fitting that Broadway Across America marks its return to the Broward Centerwith the Tony and Olivier Award winning musical Come From Away that honors themes of community, perseverance, isolation and fear of the unknown. It seems that during last 18 months we’ve all come from away. And now we are back, a bit changed like the myriad characters in Come From Away, but happy to be back.
Sing Along If You Must: “Mamma Mia, Here I Go Again” At Wick
No matter the time zone, country or phase of the moon, Mamma Mia! is playing somewhere, in this case an inarguably competent production at The Wick Theatre. Even those who have never been a fan of the work have to admit its score contains tunes that spark Pavlovian responses of joyous clapping and swaying along in audience members, even if they’ve aren’t familiar with the ABBA “ouvre.”
Songs for a New World Is A Welcome Return For Theater
Jason Robert Brown’s brilliantly insightful and emotionally powerful Songs for a New World lets you know you’re not going crazy all alone in Slow Burn Theatre’s season opener that would be a triumph even if it didn’t signify a full-throated celebratory return of regional theater.
Miami New Drama Offers Free Season Opener “A Special Day”
What better way to mark the return of live, in-person theater than to celebrate the major role that an audience’s imagination plays in this unique art form? In fact, the professional, nonprofit Miami New Drama (MIND) is offering audiences free admission to a return engagement of the Mexico City and New York-based, nonprofit company Por Piedad Teatro’s production of A Special Day.
Swirling Realities Within Realities In Gay-Themed ‘Twentieth Century Way’
The Twentieth Century Way creates intersecting, overlapping realities in Island City Stage’s celebration of its 10th season by restaging its 2012 inaugural play. This thought-provoker melds questions about people acknowledging their true identity, amalgamating actors in general hiding behind their roles, and gay men hiding their sexuality from a homophobic society and themselves.
Racial Issues Permeate Main Street’ Players’ ‘Shakespeare is a White Supremacist’
The premise: A white director leads a multi-ethnic cast in a Midsummer’s Night as an answer to charges of institutional racism. But with wry humor and painfully incisive drama, Main Street Players’ edition of Andrew Watring’s “Shakespeare is a White Supremacist” examines the intersection of theater and racism as a metaphor for larger problems afflicting society in 21st Century America.
Despite The 10-Foot Star, ‘Mastodon’ Not Just Child’s Play
Yes, there is broad humor, over-the-top characters, cartoonish sets, a fairy tale vibe and a 10-foot tall puppet, but Theatre Lab makes it clear that Rachel Teagle’s world premiere script of The Impracticality of Modern-Day Mastodons is not children’s theater, but an adult evaluation of dreams.
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