Tag Archives: Matt Stabile
Thinking Cap Hosts Comic Daffiness In The Book Of Liz
A naïve young woman from an isolated religious cult called the Squeamish (think Amish) finds herself in an oversized Mr. Peanut outfit on a highway giving the finger to honking motorists. Such daffy nonsense is indicative of the delightful satire in Thinking Cap Theatre’s The Book of Liz, a hoot by Amy and David Sedaris.
Dashed American Dream at the Center of Zoetic Stage’s Marvelously Rich “Detroit”
Detroit, Lisa D’Amour’s finalist for the Pulitzer Prize, is a thought-provoking piece of theater. The Zoetic Stage production finds its own complex groove in Detroit to present a must see in Miami.
Shorts Gone Wild 2: More About Relationships Than Risque
So the Cowardly Lion walks into a gay bar…. That premise pretty reliably lets you know that you must be watching the new edition of Shorts Gone Wild 2, the mildly risqué festival of short plays with a LGBT underpinning.
Juan C. Sanchez’s Disturbing Collection Of Playlets Is Anything But Paradise
Juan C. Sanchez’s Paradise Motel begins in the clouds and ends in the sewer. Charting five decades in the devolution of a fictional motel on Calle Ocho—and the parade of lovers, hustlers, sharks and addicts that have occupied its rooms—this collection of seven playlets presents an uncompromising vision of urban decay that will ring wincingly true for its Miami audience
Parade’s The Last Schwartz Doesn’t Quite Meld, But Features Vivid Performances
Deborah Zoe Laufer’s The Last Schwartz poses a difficult mélange of tones, and Parade Productions’ production doesn’t smoothly meld Laufer’s various parts. That said, the stand-alone strands of farcical comedy, subtler black humor and heart-rending pathos are delivered independently with quite satisfying results through skilled performances molded and guided by director Kim St. Leon.
For One Day, Delray Beach Becomes Bedford Falls For Arts Garage’s Radio Theater Series
Arts Garage staged It’s A Wonderful Life as part of its Radio Theatre series, which kicked off in August with the radio play adaptation of A Star Is Born. Eight actors, plus two sound effects “actors” performed the play for one day only — a shame really that such a worthwhile production only had a matinee and evening performance. But others are on the calendar.
Homophobia and Anti-Semitism Clash In Island City Stage’s Triumphant The Timekeepers
Director Michael Leeds and stars Michael McKeever and Mike Westrich triumph in Island City Stage’s production of The Timekeepers by mostly navigating quietly and gingerly through the halting lessons in human connection that Fort Lauderdale playwright Dan Clancy has sketched for them
Kutumba’s The Beebo Brinker Chronicles About Lesbians In The 1950s Doesn’t Quite Gel
The question nagging Kutumba Theatre Project’s The Beebo Brinker Chronicles was what did it want to be? Farce? Drama? Satire? Soap opera? A lampoon of 1950’s pulp novels? An homage to 1950’s pulp novels? If it was all of the above, it didn’t meld into a cohesive whole, even when isolated moments worked as farce, soap opera, homage or lampoon.
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