Tag Archives: Mark Duncan
The opening scene of Will Eno’s The Realistic Jones, as staged by Thinking Cap Theatre, is one of the funniest things I’ve seen in years.
In Thinking Cap Theatre’s Waiting For Waiting For Godot, the absurdity of life is moved from the center stage spotlight of Samuel Beckett’s play in progress to the dingy dark wings where two understudies are waiting in vain to go on.
A naïve young woman from an isolated religious cult called the Squeamish (think Amish) finds herself in an oversized Mr. Peanut outfit on a highway giving the finger to honking motorists. Such daffy nonsense is indicative of the delightful satire in Thinking Cap Theatre’s The Book of Liz, a hoot by Amy and David Sedaris.
Thinking Cap’s U.S. premiere of Sarah Kosar’s Hot Dog comes across as a mean-spirited hate letter to a dying parent whose time can’t come soon enough. It’s a play about caring, yet we hardly care about anyone in it.
The tiny Thinking Cap Theatre, which built its reputation on experimental, provocative and socially-conscious work, plans to double its programming and staffing while retrofitting a new venue in Fort Lauderdale that can cater to twice the nightly audience.
Book-learning and collegiate productions provide theater students the basics of the craft they hope to follow, but The Promethean Theatre is providing Nova Southeastern University students with real world experience that is far more rigorous and revealing than class work.
Boeing Boeing is a 1962 farce with doors that slam, swing, shut slowly, burst open in ones, twos and probably threes. Promethean Theatre and its house director Margaret M. Ledford, benter new territory with an out and out comedy that requires skill and discipline. As proven by the copious laughter in the hall, they acquit themselves well.