General

Act Two For SoFla Theater: A 2-Part Portrait One Month In

PART ONE: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.

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Joseph Adler, Transformative Titan And Champion Of South Florida Theater, Dies At 79

Joseph Adler, a titan who helped transform South Florida’s cultural landscape by mounting unblinking, dynamic work and aggressively championing local artists, died Thursday. Passionate and outspoken, curmudgeonly and supportive, gruff and loving, but unassailably a skilled artist, Adler had been a force of nature as producing artistic director of GableStage since 1998.

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SoFla Monologues: A Different Kind Of Room Where It Happens

Across South Florida, 37 artists accustomed to performing in front 1,000 people sat alone in their bedrooms, kitchens, patios, backyards emoting just as earnestly inches away from their laptops. For more than 3 hours Sunday, performers acted monologues written by local playwrights and directed by local colleagues in Theatre Lab’s Online Original Monologue Festival fundraiser to counteract vanished contracts.

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Nick Duckart: Life On The Road With Come From Away Tour

Travelling in the national tour means moving to a different hotel in a different city nearly every week, not always sure what city that is, maintaining relationships with loved ones from afar, striving to keep the show fresh when you’ve done the material hundreds of times. And bats divebombing the performance. Just ask Hialeah native Nick Duckart travelling with Come From Away as it approaches the Kravis and Broward Center.

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Hamilton Remains Fresh, Vibrant Masterwork On Return Visits

Does it ever get boring being in the room where it happens?

No, it does not, as illustrated from the moment Aaron Burr begins recounting the story of this lad from the Caribbean who became one the United States’ Founding Fathers in the tight, engrossing production of Hamilton at the Adrienne Arsht Center for the Performing Arts through March 15.

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Riverside Tackles Neil Simon’s Multi-Faceted Lost In Yonkers

Something unexpected is on Riverside Theatre’s mainstage: A straight play. That’s right, no big box office-guaranteed lavish, toe-tapping musical Instead, patrons are getting well-developed characters, witty banter, heart-rending confrontations and the satisfaction of a good play well done in Neil Simon’s Lost in Yonkers.

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’20-21 For Primal Forces, Maltz Jupiter And Headlining Arsht Bway Tours: Hadestown

Another round of 2020-2021 season announcements has arrived with some promising titles — this time from Primal Forces and the Maltz Jupiter Theatre – plus a headline-making offering from Broadway Across America at the Arsht Center: Hadestown.

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MNM Prepares A Man Of La Mancha Relevant For Our Times

In this tarnished time of disaffection, divisiveness and abandoned ideals, the synergistic resonance of the musical Man of La Mancha is more than a welcome opportunity for director Bruce Linser. The hope-laden messages of aspiration for a better world could not be more timely than this month when MNM Theatre Company mounts the classic musical at the Kravis Center.

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What To Look Forward To Next Season: Well, Our Opinion

Anticipation is one of the real joys of scanning a coming season. What follows is a completely subjective and personal list of titles we’re looking forward to (besides the return of Hamilton), some because the material is so good, some because the troupe has a strong track record, some because the premise sounds interesting.

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Report From New York: ‘Toni Stone’ Hits A Home Run

Live theater’s ability to transport us to different situations and show us others’ stories makes a solid home run in the play Toni Stone, now receiving a rousing, heartfelt production through Aug. 11 at the Roundabout Theatre Company’s Laura Pels Theatre in New York City.

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