Riverside Theatre gathers its significant resources and sure-footed confidence to mount one of the greatest American musicals ever, Gypsy. Indeed, this is a big, brawny show steeped in legend; and Riverside has the muscle to produce it.
Merman. Lupone. Daly. Lansbury. Taking not a scintilla away from those iconic performances, you have never seen a Mama Rose like the one Vicki Lewis incarnates in Maltz Jupiter Theatre’s unique but masterful take on Gypsy.
When a theater revives the musical Gypsy as the Maltz Jupiter Theatre is doing this month, there is always the ghost in the room. So the challenge for director Marcia Milgrom Dodge and her favorite leading lady Vicki Lewis is to preserve the iconic tropes while putting their unique fresh stamp on a work.
2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.
Posted in Features
Tagged Actors Playhouse, Aida, Alexander Dinelaris, Alexandria Lugo, Ali MacGraw, Alliance Theatre Lab, Always... Patsy Cline, Ana Villafane, Andrea Burns, Andy Rogow, Andy Senor Jr., Ann Marie Olson, Anne Chamberlain, Antonio Amadeo, Arielle Jacobs, Arsht Center, Arts Garage, Avi Hoffman, Barbara Sloan, Barbie Lazaro, Beverly Blanchette, Bloody Bloody Andrew Jackson, Bruno Vida, Buried Child, Casey Dressler, Christian Vandepas, Christina Groom, Christine Dolen, Coconut Grove Playhouse, Collin Carmouze, Constellation, Darrick Penny, Ellie Patterson, Emilie Papp, Emmanuel Schvartzman, FAU's Theatre Lab, Fully Committed, Genie Croft, Giordan Diaz, Gypsy, Henry Gainza, Infinite Abyss, Island City Stage, J. Barry Lewis, Jen Chia, Jessica Brooke Sanford, Joanna Penny, John Manzelli, Joseph Adler, Kaitlyn O'Neill, Katherine Amadeo, Keith Garsson, Kunya Rowley, Laura Hodos, Lauren Bell, Lee Roy Reams, Levis Jewish Community Center, Lewis J. Stadlen, Lindsey Corey, Lindsey Johr, Lou Tyrrell, Love Letters, Maltz Jupiter Theatre, Marckenson Charles, Marilynn Wick, Mark Della Ventura, Marquee Theatre Company, Matthew Korinko, Melissa Minyard, Mia Matthews, Michael McKeever, Michiko Kitayama Skinner, Natalie Caruncho, New Theatre, Nick Duckart, Nick Santa Maria, Niki Fridh, Nilo Cruz, On Your Feet!, outre theatre company, Palm Beach Dramaworks, Palm Beaches Theatre, Patrick Fitzwater, Paul Louis, Paul Tei, Rick Pena, Rob Donohoe, Robert Johnston, Royal Poinciana Playhouse, Ryan Didato, Ryan O'Neal, Scott Shiller, Shane Tanner, Slow Burn Theatre Company, Small Membership, South Miami-Dade Cultural Arts Center, Stephanie Genovese, Stephanie White, Stephen G. Anthony, Tally Sessions, The 25th Annual Putnam County Spelling Bee, The Little Dog Laughed, The Wick Theatre, Thinking Cap Theatre, Vanguard Sanctuary for the Arts, Vincent River, Zoetic Stage
Any production of Gypsy that spotlights Ann Marie Olson’s golden voice can be forgiven nearly anything. But otherwise, much of this production is as thin as the tinny tracks and high school quality scenery, and sits there as unenthusing as Electra’s intentionally lackluster bump-and-grind.
These are not at all necessarily what we predict will be the best shows this season (although they may be) or the best attended or the most popular or the most award-winning. We don’t care. These are the shows we most want to see for a variety of reasons.
Posted in Features
Tagged Actors’ Playhouse at the Miracle Mile, Beautiful: The Carole King Musical, Broward Stage Door Theatre, Christopher Demos-Brown, Dogfight, Gypsy, Hello Dolly, Jennie Hacker, Kravis on Broadway, Lee Roy Reams, Long Day's Journey Into Night, Nicholas Richberg, Palm Beach Dramaworks, Passion, Spring Awakening, Stalking The Bogeyman, Stripped, The Bridges of Madison County, The Importance of Being Earnest, The Wick Theatre, Thinking Cap Theatre, West Side Story, William Hayes, Zoetic Stage