Tag Archives: Ethan Henry

Ethan Henry & Makeba Pace Give Superb Farewell Performances In M Ensemble’s Fine Fences

Rage and defiance – against racism, against betrayal, against cruelty, fate and death itself – washes out into the audience with a ferocity rarely seen in Florida theater in The M Ensemble Company’s powerful production of August Wilson’s masterpiece Fences.

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Volcanic Ethan Henry Erupts In M Ensemble’s The Piano Lesson

Imagine white water rapids raging past you; now imagine the liquid is molten lava – a heedless force of nature threatening to destroy everything. Such images are the by-product of watching the incomparable Ethan Henry bringing one of August Wilson’s tragic heroes to three-dimensional life in M Ensemble’s The Piano Lesson.

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Seeking A Path Through The Past In Redwood Curtain

Lanford Wilson’s wistful and whimsical play Redwood Curtain postulates that the past we stock our psyche with becomes something integral to our being that has to be faced down if we are to move beyond it. It gets a well-meaning outing from the fledgling Primal Forces Production. It’s an intriguing evening that starts the brain cogitating about the themes, but as theater it doesn’t land solidly.

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The Best Of Times Is Now: Memorable Moments Of 2014

Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.

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Sunset Baby & Makeba Pace Produce Scorching, Scalding Theater At Primal Forces

More than a dozen shows are open and a lot of holiday/family demands are battling for space on your calendar. But shoehorn in Primal Force’s stunning production of a scorching play few have heard of, Sunset Baby, by a playwright few have heard of, Dominique Morisseau.

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New Theatre’s Cuban Spring Plumbs How Generations Define Their Identity As Cubans

The overall picture may seem a bit disjointed and fuzzy, but the world premiere of The Cuban Spring at New Theatre incisively depicts the complexities of Cuban-American families in modern Miami as their American-born generation conflicts with parents struggling with ghosts of their birthplace.

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M Ensemble’s Knock Me A Kiss Is Uneven But Has Electric Acting

Some vibrant performances – one of them pure electricity – rescue M Ensemble’s uneven production of Charles Smith’s intriguing but flawed script about boldface names from the Harlem Renaissance, Knock Me A Kiss.

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Slide Show Photos of U of Miami-Arsht Center Metamorphoses

Scenes from the University of Miami/Arsht Center production of Ovid’s Metamorphoses / Photos by Justin Namon

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Dramaworks’ Raisin Starts Slow But Builds To Emotional Crescendo Of Yearning

It starts slow, so slow that you fear it may never get going. But when Palm Beach Dramaworks’ A Raisin in the Sun finally gets rolling, the emotional wallops arrive in every deepening wave of gut-wrenching, heart-rending passion, arguably all the more potent for having emerged from such a quiet, prosaic run up.

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Run the Race With GableStage

Lawyers banter about innocence and justice in David Mamet’s incendiary play at GableStage, but the characters don’t bother to dissect long-decided issues about how the judicial system’s sausage is made. The title of the play and the real subject is Race. The double-helix construction of the twisting dialogue underscores Mamet’s thesis that bogus baggage of race relations subverts any meaningful discussion of seemingly straight ahead subjects as innocence and justice.

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