Features
The Ingenue Of Theatre Lab’s Next Show Is …. Well, Unusual
Not exactly svelte, and, yes, her taste in clothing leaves a bit to be desired, her grooming is decidedly askew and her gait will never be described as slinky. But the lovely Jess will likely score as the most memorable ingénue in South Florida in the coming season.
8 Actors, No Kids: Area Stage To Bow ‘Annie’ Like None Other
For its next professional production, South Miami’s Area Stage Company promises the musical Annie “like you’ve never seen before” later this month. It’s set in a speakeasy, has eight adult actors doubling and tripling parts, Miss Hannigan is a man in drag — and there are no children.
M Ensemble’s Hosts A Cowboy John Wayne Never Knew
In Cowboy, the new dramatic play opening in June at M Ensemble in Miami, the gun-totin’ U.S. Marshal Bass Reeves, traditionally garbed down to the required Stetson, strides through the double doors of the saloon, secretly on the trail of two wanted criminals. But there’s a slight difference from the oaters in which Sheriff John Wayne restored justice to a sleepy town.
Theatre Lab Offers ‘Berliner’ 3 Ways Including Live – Sort Of
Imaginative theatricality has imbued Theatre Lab’s projects, but this month’s just-outside-the-box venture is breaking the traditional paradigm even further. The premiere of Vanessa Garcia’s Ich Bin Ein Berliner offers three different ways to experience the same raw material, including a live in-person presentation — of sorts.
Open a New Window: The Future of Florida Theater – Part Three
One year into the global and personal tragedies, Florida theater has embraced the sole gift that the pandemic has given regional artists across the country: Unprecedented opportunity. Some call this an intermission, but, it’s more apt to use “reset” and “reboot.” We synthesize what will we see on regional stages, what could happen how theaters operate and what should happen to fix what is broken?
Open a New Window: The Future of Florida Theater – Part Two
One year into the global and personal tragedies, Florida theater has embraced the sole gift that the pandemic has given regional artists across the country: Unprecedented opportunity. Some call this an intermission, but, it’s more apt to use “reset” and “reboot.” We synthesize what will we see on regional stages, what could happen how theaters operate and what should happen to fix what is broken?
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