Tag Archives: Michael Aman

What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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Presidential Politics Make Shorts Gone Wild Even Wilder

Political satire is like the finest champagne – delectable at the time but going flat with age. But in the meantime, as Shorts Gone Wild 4 (subtitled Decision 2016: It’s Gonna Be Yuuuuuge!) underscores, what a terrific way to blow off angst over today’s polarized landscape.

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Feeding The Bear Has Promise, But It Needs More Feeding

Feeding The Bear, a serio-comedy focused on caring for a father succumbing to Alzheimer’s (featuring a drag queen with a cooking TV show), has all the necessary ingredients for a tasty confection, but this work in progress hasn’t yet found the culinary magic to be a fully satisfying dish.

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Not Your Grandma’s Theater: The 2015-2016 Season In SoFla

South Florida theaters still mount familiar warhorses, but the 2015-2016 season is proof that companies realize the future of theater is to attract pre-retirement audiences with shows steaming fresh out of Manhattan, edgy intellectually challenging works, imaginative takes on familiar titles, regional premieres of shows you only read about in The New York Times over the past few years and some shows you have never heard of, period.

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POZ, Getting Its World Premiere At Island City Stage, Has Its Share of Positives and Negatives

Loaded with lots of laugh lines and inside theater jokes, POZ at Island City Stage has some supremely likeable characters. Yet there’s just something a little bit too snappy about this world premiere. It tries just a bit too hard, especially when convincing the audience that this lively cast of characters are real people with real problems.

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